Material Interruption
These mixed-media works use collage, assemblage, and material disruption to examine social systems embedded in images, objects, and environments. Addressing themes of ideology, extremism, fast fashion, queerness, and the exploitation of natural spaces, the work recontextualizes found materials to expose how meaning is manufactured, circulated, and normalized. References to hate imagery and political violence function as acts of confrontation rather than representation, positioning the work firmly against the systems it reveals. Across the series, material excess and fragmentation mirror the cultural saturation and instability these issues produce.
"Garment Pattern (After Monet)", 2025, Paper, Tape, Watercolor, and Charcoal, 32 x 20 in.
"Garment Pattern (After Monet)", 2025, Paper, Tape, Watercolor, and Charcoal, 32 x 20 in.
"Fuck Nazis", 2023, Paper Transfer, Wire, Char, and Wood, 48 x 36 x 4 in. – External Link
"Performed Identity", 2018, Oil Paint and Paper Transfer on Wood, 12 x 24 x 1 in.
"Nature Preserve Art Installation Plans", 2025, Charcoal, Wood, Ink, Origami Paper, Modeling Paste, Sandpaper, Nails, Styrofoam, and Carpet Liner on Paper, 24 x 18 in. ea.
"Nature Preserve Art Installation Materials", 2025, Charcoal, Wood, Ink, Origami Paper, Modeling Paste, Sandpaper, Nails, Styrofoam, and Carpet Liner on Paper, 24 x 18 in.
"Nature Preserve Art Installation Rendering", 2025, Charcoal on Paper, 24 x 18 in.